Western post-modern society has seen the continuation of an age-old infatuation with the concept of personal growth. While this enamorment is nothing new, there has been an exponential rise in ideologies that encourage the performance of change and self-improvement. These ideologies represent growth of the individual as something aesthetic and generally positive, which exist in direct conflict with those historical depictions of difficult trials that one must commit to in pursuit of eudaemonic satisfaction. Despite this accelerating infatuation with performative experience, or possibly as some ironic juxtaposition, this same society has resurrected the popularity of historical philosophers Fyodor Dostoevsky and Friedrich Nietzsche (not to mention the post-modern stoics). Yet it is difficult to believe that these individuals would have supported the societal commodification of their ideologies. To them, meaning and growth were not passive artifacts to be discovered in the approval ...